I wasn’t thinking about Andrew Wyeth’s “Christina’s World” when we were shooting this, but while editing it this morning I was a bit amused at the connection.
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Month: July 2016
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Meluxine – Dress Handfuls
Meluxine – Dress Handfuls
“Aw, we lost the sun,” Meluxine said, as she noticed the gorgeous shafts of sunlight that until very recently had been beautifully falling on her through the window, had faded away. I pulled the camera away from my eye and walked over to the window. I had noticed it too, but I was wondering if the sun had dipped behind the clouds for a few seconds or whether it was going to be gone for a bit longer.
That’s the thing about Kauai. It can be sunny one minute, cloudy the next, and then rainy-sunny somehow, or any combination in a period of 20 minutes. But even the cloudiness or the rain is quite lovely. By the end of our 10 days on our island paradise, even we were starting to say, “Look. Another rainbow,” more matter of factly and with a slightly lower amount of surprised enthusiasm than when we first arrived. Funny how you can begin to take even double rainbows for granted on this island. There are just so many! Every day!
Anyway, it was Meluxine who suggested maybe we head out to the beach and just see what we could make in the overcast for a bit. “Just until the sun comes back.”
But as I mentioned in yesterday’s post, even the, this probably won’t work but let’s try it anyway, setups, were turning into magic. And we hadn’t been down there on the beach shooting for more than a few minutes when we both started to feel like the overcast was working like crazy. Beautiful non-directional light. The sky was a giant softbox above.
I had turned the color off on the display of my camera, so we were looking at B&W images when we stopped to review. And what we were seeing was reminding me of images you might see in those great British mod fashion shoots from the 60s. I don’t know if it was the light or what. More likely Meluxine channeling something wonderful in that lovely striped dress we had been shooting inside with a few minutes earlier. She was so on.
And as it always did, after about 20 minutes, the sun began to peek out from the clouds again. But since the clouds were moving in a direction from over my head towards Meluxine, we started to get some great light on her, but with the still brooding clouds behind her along the beach.
And so we had a dilemma. A good dilemma. As we began to review the photos weeks later remotely, me back on the mainland in Los Angeles and she in Sydney, Australia, I had processed this particular image two ways. First in b&w as we had originally intended, but also in color. And there were good qualities about both of them. We really couldn’t decide.
But for me, even though I’m really an artist who loves b&w, I think the color one edges out the b&w in this case. But only very slightly. I think the photos from a few minutes earlier than this one will still look best in b&w. But this particular image, with the sun juuuuuuust starting to peek out, color wins.
What do you think, Gentle Readers? Color or b&w? I’d love to hear your thoughts.
Meluxine – Looking Inside
You know when you’re having one of those days when everything you touch turns to gold? They don’t happen often, but when they do, the feeling is extraordinary. Meluxine and I were definitely having one of those days the first time we ever shot together. Even the, this probably won’t work but let’s try it anyway, setups turned out to be magical. Which leads me to the distinct possibility.
Meluxine might well indeed be magic.
I mean, I don’t know that for certain. Just throwing the possibility out there.
Meluxine was one of my beautiful housemates on the island of Kauai. I met her and Anne, who was also staying with me, at the Lihue airport, when I arrived from Los Angeles and they from Australia, to drive us to our lovely resort suite. So even before photographing her, I had a lot of time to get to know her.
I find that always helps when photographing someone for the first time. Because I’m not only learning the physical characteristics of any new model I’m collaborating with, but also learning her point of view. What’s on her mind. What she’s about. Having a head start on knowing those latter things, always makes for better photographs. Because then I’m not just photographing what she looks like, I’m really photographing her.
But whatever the reason, as Meluxine and I have discussed since then, what we did that day was some of the best most personally satisfying work either of had done in a while. We’ve really enjoyed going over the images since then. Picking out favorites. And there are a lot!
And I’ve queued up another beautiful photo of her for tomorrow. So stay tuned, Gentle Readers!
Anne Duffy – Crown of Shadows
Anne has one of the most beautiful faces I have ever come to know. I’ve felt that way since before I actually got to work with her years ago. Her portfolio is full of some of the most striking images I’ve ever seen.
All week we’d been talking about shooting her in a specific lingerie set she had brought to Kauai with her. The mood of the shoot. Where it would be. How it would look. And sadly we just ran out of time to do it the way we imagined. But I did have a lighting setup in place for the equally lovely Meluxine who I had just finished shooting, when Anne and I realized we both had a free hour. I made a few adjustments and Anne and I decided to use the small time we had. Better something than not, you know?
But the glorious part of it is, we created some beautiful images, regardless of our original idea. Anne knows light so well that without even looking she was able to create wonderful shadows with her body and limbs. She always looks so effortless with her poses, even though there’s nothing effortless about them.
The lingerie she’s wearing is actually Victoria’s Secret, which came as a surprise to me, because I haven’t been wowed by anything from that brand in over ten years. But this piece was beautiful. Something I’d expect to see from La Perla or Agent Provocateur, honestly. And it worked so well with Anne’s porcelain skin and dark brunette hair.
Sometimes an hour with Anne is all you need to make something incredible.
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Fire, water, air, Jessamyn
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Vassanta off trail
The overgrown plant life in Kauai is incredible. @vassanta walked ahead of me after shooting in the creek and said “look at all this we need to shoot this.” So we did. The leaves were so huge I wanted to use them for more than just a backdrop so I asked her to cover her face with one of the leaves. Then the mosquitos arrived… And we ran.
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Claudine – Isolation
Claudine – Isolation
Claudine is simply wonderful to work with. Beautiful, with complete excitement and joyful enthusiasm. Claudine is 100-percent all in when it comes to creating something interesting. I’ve never seen her in a bad mood. I mean, I’m sure she has them. We all do. But I’ve never witnessed her in one. Claudine is positivity.
She arrived in Hawaii at Zoefest XIII a few days after most of us, and even though we had all been filling up our schedules with shoots all over Kauai, I knew I had to sneak in at least a little time with her. I had two other bookings the day I photographed Claudine, so I proposed something simple for her. And I couldn’t be more happy with the results.
As I’ve mentioned before, Gentle Readers, I’ve been looking to create art that’s a little different from the work I’m most known for. It’s not that I’ve grown bored with what I’ve been creating, but I’ve been finding I’ve been wanting to inject my work with something a little more personal as of late. Something a little more about my humanity, warts and all. And having the opportunity to channel that through a beautiful collaborator like Claudine, is very special to me.
And of course, Claudine was up for going on my little adventure. As she always is.
In one part of our suite in Kauai, was a little room with sliding slatted doors. And I found when I temporarily removed the tourist room art from the walls, it created a nice empty space. It had two lounges that could be turned into beds, and I removed all the bedding from one except for the simple white sheets. This would be a starting point.
I began by having Claudine sit on the edge of the bed. I explained the feeling I wanted to express with her that day.
“I’m looking for something that tells a bit of a story. And this story is more about being alone than anything else. Isolation. I want to use you in this very empty simple space to create something that makes you seem very small in this environment.”
It wasn’t that I wanted her to represent her feeling isolated or alone. I wanted her to express something I had been feeling from time to time recently. I wanted her to be my stand-in for that feeling.
She immediately got it. Because she’s just that good that way.
Claudine is a beautiful woman. A real, beautiful, woman. And the reason I wanted to work with her on this idea, is that in the past she’s been able to create characters that wonderfully express an idea or concept I have. A few years ago, back in Chicago, I shot a short film with her called, “Hello??” It involved a situation that I’m afraid far too many women are familiar with, and if you haven’t seen it yet, go ahead and click on it now and come back so I don’t ruin the ending for you. I’ll wait.
Okay. You’re back.
Yeah, every time I show it to a woman friend of mine, they always say the same thing.
“Auuugh. No. No! I hate that!”
Claudine, without saying a word, spoke volumes with her face and body language. The hurt. The resolve to just move forward.
And I knew, here in our little resort room, she’d be able to help me express another very common feeling. That feeling of being alone. Being isolated.
I made dozens of photos of her sitting on the edge of the bed. Then sitting back against the wall. And then I suggested something new.
“There’s no earthly practical reason why you would stand in the corner in the space between the bed and the wall, but let’s try something with that,” I suggested.
I had been careful up until that point with my framing, not to include much of anything else in the room besides the bed and the wall behind it, keeping it a very clean and simple composition. But this time I composed the shot to include the bathroom door and some of the interior. Suddenly I had some extra context for the story.
The photo above is the last frame I shot during our session. I felt that we didn’t need to go any further. That was it. Perfect.
Thanks Claudine for helping me express something a little unexpected on our island paradise. Because even with the beautiful ocean lapping up to the front of our little home, with incredibly unimaginable scenery all around us, I needed this that day. Something, not the usual.
___
You can find Claudine in many places online…
On Twitter and Instagram, and elsewhere on the web, YouTube, IMDb, and her fine art modeling site, ClaudineArtNude.
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Carly in infrared
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Chasing Waterfalls
@Vassanta and I dodged the tourists and caught some little waterfalls…
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Blue Hawaiian Bob
