Meluxine – Dress Handfuls
“Aw, we lost the sun,” Meluxine said, as she noticed the gorgeous shafts of sunlight that until very recently had been beautifully falling on her through the window, had faded away. I pulled the camera away from my eye and walked over to the window. I had noticed it too, but I was wondering if the sun had dipped behind the clouds for a few seconds or whether it was going to be gone for a bit longer.
That’s the thing about Kauai. It can be sunny one minute, cloudy the next, and then rainy-sunny somehow, or any combination in a period of 20 minutes. But even the cloudiness or the rain is quite lovely. By the end of our 10 days on our island paradise, even we were starting to say, “Look. Another rainbow,” more matter of factly and with a slightly lower amount of surprised enthusiasm than when we first arrived. Funny how you can begin to take even double rainbows for granted on this island. There are just so many! Every day!
Anyway, it was Meluxine who suggested maybe we head out to the beach and just see what we could make in the overcast for a bit. “Just until the sun comes back.”
But as I mentioned in yesterday’s post, even the, this probably won’t work but let’s try it anyway, setups, were turning into magic. And we hadn’t been down there on the beach shooting for more than a few minutes when we both started to feel like the overcast was working like crazy. Beautiful non-directional light. The sky was a giant softbox above.
I had turned the color off on the display of my camera, so we were looking at B&W images when we stopped to review. And what we were seeing was reminding me of images you might see in those great British mod fashion shoots from the 60s. I don’t know if it was the light or what. More likely Meluxine channeling something wonderful in that lovely striped dress we had been shooting inside with a few minutes earlier. She was so on.
And as it always did, after about 20 minutes, the sun began to peek out from the clouds again. But since the clouds were moving in a direction from over my head towards Meluxine, we started to get some great light on her, but with the still brooding clouds behind her along the beach.
And so we had a dilemma. A good dilemma. As we began to review the photos weeks later remotely, me back on the mainland in Los Angeles and she in Sydney, Australia, I had processed this particular image two ways. First in b&w as we had originally intended, but also in color. And there were good qualities about both of them. We really couldn’t decide.
But for me, even though I’m really an artist who loves b&w, I think the color one edges out the b&w in this case. But only very slightly. I think the photos from a few minutes earlier than this one will still look best in b&w. But this particular image, with the sun juuuuuuust starting to peek out, color wins.
What do you think, Gentle Readers? Color or b&w? I’d love to hear your thoughts.
